Tuesday, January 30, 2024

Writing in the Dark of the Year: How People Drink Their Tea or Coffee

 The assignment was simple: "What does the way a person drinks their tea or coffee mean about them?" We had 15 minutes.

My mind immediately went back to Solly and Erna, two of my favourite people to drink tea and coffee in the little tea house in Three Hills. I don't know if it answered the question of the evening, but I knew I wanted to spend a moment or two with them again. This is what I wrote:

"Welcome to Nilgiris Tea House. Here's a table for eight, if we just pull these two together ... May I take your order?"

SOLLY: "Coffee. Black."

ERNA: "I think I'll have a pot of tea. Now, do I want black tea or ... no ... it might keep me up. What about that Winter Palace Marzipan tea? It reminds me of the sugared almonds my daddy used to give us -"

SOLLY: "Erna! Just order! Everyone is waiting!"

The order is taken: five coffees and three teas. Four cinnamon rolls and three scones. Erna won't have anything, she has to watch her sugar.

Three minutes after all at the table are served:

THUMP.   THUMP.   THUMP.

THUMP.   THUMP.   THUMP.

ERNA: "Oh Solly, STOP! She's busy. She'll bring the coffee pot over as soon as she can -"

SOLLY: "I might die before she gets here."

ERNA: "Oh Solly, the doctor was just making a joke. Living in town is not going to kill you!

"Oh thank you, dear. It's his 88th birthday, and -"

SOLLY: "Erna! She doesn't have time for this! I just want to go back to the farm. Nothing wrong with me. I can still run my tractor. And out there I can pour my own coffee when I want to."

THUMP.   THUMP.   THUMP.

THUMP.   THUMP.   THUMP.

ERNA: "Oh Solly, stop!"

And then the news that he had died. Impatient in life, he was not impatient to leave it when the time came. At the reception following his funeral, Erna said that now she could come to the tea house and not be embarrassed.

"Welcome to Nilgiris Tea House. Here's a table for four. May I take your order?"

One coffee and three teas. Two orders of scones, to share.

Three minutes after all at the table are served:

THUMP.   THUMP.   THUMP.

THUMP.   THUMP.   THUMP.

She's sitting there with her empty coffee mug in front of her. Tears are getting caught in the creases of her face. She stares at the mug, stunned.

ERNA: "I can't believe I did that. I hated when he did that. Oh Solly -"




    

Tuesday, January 23, 2024

Writing In The Dark of the Year: All About Snakes

Week 2 of Writing in the Dark of the Year. For the first exercise we read Sylvia Plath's Rhyme and then we were asked to think of a story and give it a twist.

When we were in Coonoor, India, and going for walks with Mum on the Lamb's Rock road we would have "Snake Drills." Mum would call out, "Snake!" and we would have to freeze in whatever position we were in at that moment.

I saw my first snake at the ranch in the garden in 2023, a beautiful garter snake. I didn't know whether to freeze so I took a picture and shot it to Ivy and the Good Rancher. They both assured me that this snake wouldn't hurt me!

All this to say that the writing course I'm taking took a decidedly reptilian turn.

This is what I wrote:

Once upon a time in a land far away there was a garden, a garden full of the scent of eucalyptus, the sparkle of cinnamon, the punch of Tellicherry pepper.

Through the garden ran a river where fish would sparkle silvery in the cool, clear water. 

And the birds would flit and preen and coo. 

It was very good.

But there was a serpent in that garden, of course there was, hiding in the eucalyptus leaves, lying in wait for the innocent maiden who he knew would pass by him in the heat of the day. Surely she would notice him today. He would wait for her.

The maiden did come to the eucalyptus grove. She gathered her basket of leaves, piling them high as she breathed in their heady aroma. She paused for a word with her companion; and as she did, the serpent slithered surreptitiously into the basket of leaves, slid to the bottom with the faintest rustle, so soft the maiden never heard him.

She lifted the basket onto her head. It seemed heavier than usual, somehow. Maybe she was just tired, she thought to herself, as she trudged down the path to the factory.

She took her place in line, setting her basket down with a sigh.

From the depths of the basket appeared a sleek head with two obsidian eyes and a forked ruby tongue.

The maiden, lost in her thoughts, did not notice.

"Look at me now," the serpent hissed as his tongue flicked against her left heel and he made a loop around her ankle.

Almost faster than thought he wrapped himself around her, his head curling around about her neck, squeezing her in his vicious embrace.

The courtyard froze in horrified, helpless silence.

The girl, choking, petrified, fainted and fell to the ground as one dead. The snake exhaled, a victory hiss. She had noticed him. They all had noticed him. He had triumphed!

Slowly, slowly he unfurled himself from the maiden's supine body. He began to crawl away on his belly, back to the camouflage of the eucalyptus trees, back to wait for his next victim.

BOOM! The foreman's gun blew his head to smithereens.

---------------------------

For the second exercise we look at a picture the facilitator has selected for that night's work. This is what she had selected for week 2:

(Untitled by Katerina Plotnikova)

She showed it to us after I had read my piece ... Because of this weird coincidence, I thought I would include the second piece I read to the group that evening. After looking at the picture and gazing at the fresh face of the young woman with the world-weary eyes, my mind was transported to that first garden in the Book of Genesis.

The first part of the next piece is clearly not my writing, as you can see. My comments start immediately following the old, familiar story:

Genesis 3:1-7 (The Message)

"The serpent was clever, more clever than any wild animal God had made. He spoke to the woman: 'Do I understand that God told you not to eat from any tree in the garden?'

"The woman said to the serpent, 'Not at all. We can eat from the trees in the garden. It's only about the tree in the middle of the garden that God said, 'Don't eat from it; don't even touch it or you'll die.'

"The serpent told the woman, 'You won't die. God knows that the moment you eat from that tree, you'll see what's really going on. You'll be just like God, knowing everything, ranging all the way from good to evil.'

"When the woman saw that the tree looked like good eating and realized what she would get out of it - she'd know everything! - she took and ate the fruit and then gave some to her husband, and he ate.

"Then they understood what they had done. And they realized that they were not wearing any clothes. So they took some leaves from fig trees and sewed them together to cover their nakedness."

The man went to work, tilling the soil, setting up empires, toiling until he dropped with exhaustion.

But the woman, with the weight of the serpent's words wrapped around her head, looked down through the generations with knowing, tired eyes.

And the guns roared and the bombs hissed and the buildings dropped and the mothers wailed, Rachel weeping for her children, unable to be comforted.

And so it continued for 100 days and counting.

And the fig trees - unwitting props in the drama between good and evil that began to rage that day in the garden - bowed their heads and withered in Gaza.

Tuesday, January 16, 2024

Writing in the Dark of the Year

 I have signed up for a course, encouraged by my friend Susanne, who persuaded our friend Sharalynn and me to join her.

"Writing in the Dark of the Year" started on Tuesday night when indeed Winter, flying in the teeth of El Nino, showed us who's boss in Alberta.

I locked myself into my room, away from dogs, away from cats, away from the pandemonium and drudgery of life at -40° on a cow-calf operation.

Our leader, Kelsey, got the nine of us to introduce ourselves; then she asked us to write a list of things we cannot do.

THEN she asked us to pick one off the list and address it. It could be a how-to; it could be humourous; it could be whatever we wanted. 

We had ten minutes.

I reviewed my list and found it somewhat melancholic and a little bit waspish. So I went with the first one: "I can't reach high shelves or the floor of the passenger side of the truck."

And this is what I wrote:

Stretch.

S-T-R-E-T-C-H!

Waggle the tips
of your fingers as if
they are periscopes to the
submarine mass of your body

One more inch. That's all
you need, ONE
MORE KNUCKLE appended
to your index finger.

Still no?
Step back, then several steps back, and look up:
It's there, the object of your desire,
there in tantalizingly plain view
on the third shelf of the cupboard.

Align yourself again, and this time
Stand on tippy toes, your left hand
on the second shelf for balance
as your right hand flaps vaguely 
in the area you remember
the object to be.

It's an existence of inches:
Shortest in my family.
Short arms short legs short trunk
short temper short memory -
62 1/2" cohabiting with 75" rancher
who is never on call
except for supper.

It's me and the dogs and the cats, all
people shorter than I.

Still no?
I sure could do with a drink
but I just can't reach
that glass ...


(📷  by the GR)

Two hours more till this evening's class!